In a gallery or museum, the wrong heat can cause just as much trouble as the wrong light. Convection heat stirs up dust, dries the air, and sends temperature swinging—stress that delicate canvases, wood, and pigments shouldn’t have to endure. We built our far infrared heaters to warm the space without heating the air, so conditions stay stable and the collection stays protected. What matters, technically Far infrared delivers radiant warmth that travels outward and heats people and objects directly—not the air between. In practice, the surface of a painting or a display case absorbs gentle warmth, while the surrounding air stays calm and steady. Our units use a carbon fiber element that produces a broad, low-intensity emission profile—comfortable to be near, and easy to control with a thermostat for repeatable, stable conditions. The result is predictable comfort with minimal air movement and no open flame. Why it works here Art and artifacts are sensitive to humidity shifts and temperature swings. Because far infrared heating warms surfaces instead of cycling air, you get more consistent conditions right where the piece sits—fewer drafts, less dust in motion. In conservation, that matters: less disturbance means fewer micro-movements, less drying, and a steadier microclimate. You also get responsive control—the heater comes up to comfort quickly and holds the set point without big swings, so you can keep gallery conditions stable day after day. Here is the thing about placement Far infrared performs best when the heater has a clear line of sight to the area you want to warm. It’s not designed to heat through walls or thick barriers, so placement matters. Plan for direct, unobstructed coverage of seating and display zones, and confirm local electrical requirements for your space. Set up correctly, far infrared delivers quiet, draft-free warmth that respects the room—and the work inside it.